Curricula
Description
MM00EC22 | Historical Organs (3 cr) |
Prerequisites | MM00EC19 Organ Theory |
Objectives | After studying the course, I understand the details of artistically significant historical organ types, their sound and the principles, possibilities and limitations of the music written for them. I know how to choose virtual organ samples and I can detect the stylistic examples of the details of our current organs. I also understand the importance of different structures and dispositions for the overall sound and character of the organ. I know the music that was written for these organ types and I know how to look for more of it myself. I also know other old keyboard instruments. |
Content | Most important: Schnitger organ from baroque northern Germany Silbermann organ from baroque central Germany Walcker organ from romantic Germany Cavaille-Coll from romantic France Also: Antegnati organ from early Italy Clicquot organ from baroque France Ladegast organ from early romantic Germany Sauer organ from late romantic Germany We will familiarize ourselves with the above-mentioned types of organs using virtual organ technology, literature, sound and video production, and possibly visit some of the instruments. Getting to know other keyboard instruments as well: -Clavichord -Harpsichord -Fortepiano -Pedalharmonium |
Recommended optional programme components | If necessary, the student advisor will recommend optional programme components for each student based on their individual study plan. |
Accomplishment methods | Not applicable |
Execution methods | Lectures and exercises. Presentations. |
Materials | Not applicable |
Literature | Not applicable |
Evaluation Criteria | Approved/Failed |
Evaluation Criteria |
pass/fail Active participation in teaching, independent work and practice tasks. Presentations. |
Assessment Frameworks | Not applicable |
Further Information | Not applicable |
Responsible persons | Not applicable |
Links | Not applicable |
Implementations
No implementations.
20.5.2024 12:51:31