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Description

MM00EC22	Historical Organs (3 cr)
Prerequisites	MM00EC19 Organ Theory
Objectives	After studying the course, I understand the details of artistically significant historical organ types, their sound and the principles, possibilities and limitations of the music written for them. I know how to choose virtual organ samples and I can detect the stylistic examples of the details of our current organs. I also understand the importance of different structures and dispositions for the overall sound and character of the organ. I know the music that was written for these organ types and I know how to look for more of it myself. I also know other old keyboard instruments.
Content	Most important: Schnitger organ from baroque northern Germany Silbermann organ from baroque central Germany Walcker organ from romantic Germany Cavaille-Coll from romantic France Also: Antegnati organ from early Italy Clicquot organ from baroque France Ladegast organ from early romantic Germany Sauer organ from late romantic Germany We will familiarize ourselves with the above-mentioned types of organs using virtual organ technology, literature, sound and video production, and possibly visit some of the instruments. Getting to know other keyboard instruments as well: -Clavichord -Harpsichord -Fortepiano -Pedalharmonium
Recommended optional programme components	If necessary, the student advisor will recommend optional programme components for each student based on their individual study plan.
Accomplishment methods	Not applicable
Execution methods	Lectures and exercises. Presentations.
Materials	Not applicable
Literature	Not applicable
Evaluation Criteria	Approved/Failed
Evaluation Criteria	pass/fail Active participation in teaching, independent work and practice tasks. Presentations.
Assessment Frameworks	Not applicable
Further Information	Not applicable
Responsible persons	Not applicable
Links	Not applicable

Implementations

No implementations.